Tag Archives: Amazon

Subscription services for ebooks – some thoughts

When I started practicing dentistry almost 30 years ago, I became involved in a reimbursement plan called “Capitation.” It was “insurance” where families or individuals paid a set fee every month, then the company took a percentage of that fee and passed the rest on to me. Their advertising to patients stated that they ‘covered’ 100% of every dental procedure known to man.

When I first started with them, I was actually getting checks for a little more than what I would have billed for services on capitation patients that month. But very soon that corrected itself and I was getting less than what I would have billed, by about 20%. Then another provider quit and I got a large influx of new patients. I started making more money, but very soon I was doing way more work than I was getting paid for. It got to the point where I was getting only 40-50% of the work I was doing.

So I quit.

The future of bookselling, says Joe Konrath among others, is in subscription services.  No one says that books will not still be purchased, but what Joe says, if I’m understanding him correctly, is that for many readers, especially avid readers, there will be a significant economic incentive to borrow books via a service like Scribd or Amazon’s Kindle Unlimited rather than purchasing the titles.

I can certainly see how he comes up with that view.  It’s exactly what happened with my capitation participation.  As the subscribers to the plan figured out that they could get an unlimited amount of dentistry done for one set monthly fee, and perhaps just as importantly, that there was a new young dentist out there who would do the dentistry they needed (and do a good job of it), they flocked in to use their “insurance.”  Very few of them understood what they were paying for.  As far as they knew, they were paying an insurance premium and I was getting paid by the insurance company for work done as I did it.  (That IS the situation with fee-for-service insurance, which is capped at one to two thousand dollars per year but pays me for the services I perform on patients.)  Capitation was a great plan for the patients – as long as there was a provider willing to do dentistry for the amount of money he was receiving.

So, there are three distinct entities involved in systems like this.  One is the reader.  She is analogous to the patient in my capitation situation.  She wants stories to read, and a subscription service would seem to give them to her.  How many stories she reads in a month?  It’s limited only by her speed of reading and the time she has available for reading.

The second is the author.  She would be analogous to the provider, who, in my case, is the dentist.  She produces stories for the reader to read.  How many stories can the author provide?  Well, again, it depends on the speed of the author (ie, how fast she can write) and the amount of time she has to actually write stories.  It’s limited by both of those two things, just as in a dental practice.  In my case, I was limited by the number of appointments I had available for everyone, not just the capitation patients.  I was also limited by how long I took to perform a specific procedure.  Root canals took longer than fillings and cleanings.  Dentures took more appointments.  I was also limited by my own costs.  I suppose an author is limited by the costs of editing, proofreading, cover, formatting, etc etc.  In other words, in both situations there would seem to be a floor as to reimbursement.  Reimbursement needs to cover the costs of doing business.

The third is the “Company.”  In my case the company was one that provided capitation-style “insurance” to various employers so they could provide reasonably priced dental plans to their employees.  In an author’s case, the companies are Scribd and Oyster and Amazon.  The company has to balance the amount of money coming in with the amount of money going out in such a way that it covers its cost of administering the plan (in the dental example) or delivering, storing and providing some promotion for the ebooks in the lending service (Scribd, Oyster and Amazon).  Oh, and it needs to make a little profit.  (Costs would include the salaries of everyone involved in the process of acting as the middleman.)

In the case of Scribd, it seems that they were paying authors for borrows as if the books were purchased.  Voracious readers were reading a LOT, apparently, and Scribd was responsible for paying the authors as if those readers were purchasing every book.  (Almost sounds like a fee-for-service dental plan.)  Authors were paid per unit read, full price for the book.  Readers were paying a flat fee (something like $8.99 a month?) to access as many books as they wanted to.

In Amazon’s Kindle Unlimited, Amazon collects a flat fee ($9.99 a month) from subscribers, and allows them to borrow ten books simultaneously.  It then takes their subscription fees and puts them into a pool (minus whatever costs they feel they need to withhold to cover their operating costs and whatever profit they want to make), and from that pool it reimburses the authors whose books were borrowed.  (I think I understand this correctly.)  Amazon was paying authors if a reader read 10% of their book, which was great for short stories (my own shorts were in there, but I think I only had one or two Kindle borrows), not quite as good for authors of novels and such.  Now they have switched it so that writers will be paid by the actual pages read of their works.  I take this to mean that if someone writes a ten page short story and a reader finishes it, that writer is paid the same as an author who writes a 300 page novel and a reader only reads the first ten pages of it.  (Seems relatively fair on the face of it.)

So, if everything is golden, why did Scribd remove a bunch of romance novels from their service?  Apparently they did this because romance readers are reading them right into the poor house.  They’re reimbursing every author full price for the books borrowed.  If a reader is paying $8.99 for a month’s subscription, it’s easy math to see that they can read three books priced at $2.99 before the company starts taking it on the chin.  Not just no profit, but real financial losses.

I think this is illustrative of the pitfalls of this sort of model.  Because when you look at Scribd’s options, you see that there aren’t too many.  First, they could raise subscription fees.  Mark Coker suggested that perhaps there should be a tiered plan, with a basic level that allows a certain number of borrows per month, and maybe an unlimited plan for more money that allows as many borrows as the reader can read.  Any increase in costs up front to the reader will likely lead to less subscribers.  For some it would be a good deal at a much higher fee, but for others it would perhaps tip the scales in the other direction.

Second, they could pay authors less.  This is sort of what Amazon’s KU does.  There is a fixed pool of money, funded (I assume) in large part by subscription fees.  The pool is divided by the total number of pages read by subscribers, and the authors are paid by pages read.  In general, this model will reimburse authors by some amount that is probably less than the amount they would receive had all the borrowed books been purchased by readers.  I can’t say this with 100% certainty, but the math seems to make sense, especially if we’re talking about books that are reimbursed at 70%.  (At 35%, the math tips in the other direction.  All of my books are currently priced at $0.99, so I don’t make much per purchase.)  But they run the risk of having authors pull their books out of the program if they aren’t making enough money for their efforts.

Third, the company could simply take losses and hope that the subscription dollars grow as more people subscribe, and hope that not all of them are voracious readers who consume many more books than they are realistically paying for.  They run the risk of losing money and putting themselves right out of business, unless they’re a company like Amazon.

In my capitation case, the company who administered the plan had very little, if any, risk.  Their biggest concern was in getting a provider who would adequately care for their subscribers.  I know that one of the problems when I was doing it was that when I got that influx of patients due to another provider dropping out of the system, I found that they all needed a bunch of dental work.  The other dentist wasn’t doing much of anything.  Cleanings, a few fillings, and not much more.  He was coasting – sitting back, collecting checks and not doing the work because he wasn’t treatment planning it.  Many of them needed crowns and partial dentures, and I was doing them, one after another.  I had to ration out the care, because I simply couldn’t afford to do it all in one month.  I wasn’t being paid for it.  Also, I had to ration out chair time.  I couldn’t allow more than a certain number of patients with that plan per week, because I had other, paying patients who I needed to work on in order to keep the business running at that time.  The theory was that once I got a patient or a family completed, they would not need much work in the future, and I could collect their capitation fee without providing much value in the way of services.  In practice, many of the patients dropped the coverage once they got their crowns and partials, and there was no way to force them to continue to pay for it.

Some of this has implications for subscription services, some of it is unique to dentistry.  The thing with ebooks is that there are tons of providers (authors) and hundreds of thousands, if not millions, of books out there.  It isn’t a single author being forced to write stories for the masses for virtually nothing.  But in another sense, that just means that the pot (the subscriber fees) has to be divided in a lot more parts before being distributed to the providers.

There is a delicate balance here that is going to be very difficult for a company to negotiate successfully.  Amazon is experimenting with the way they reimburse authors, and they have the size and the ability to spend money in an attempt to figure out a way to do this right, to find that perfect balancing spot.

There’s more to be said on this issue, but this has gone on long enough today.  If anyone reads this and has any thoughts, please jot them down in the comments!  Thanks!

*****

THE CAVE is live!

My 25,000 word novella, THE CAVE, is live on Amazon! (Click on the image to link to the file on Amazon…)

The Cave Novella

The Cave Novella

Here is the description:

WHEN IS A CAVE NOT A CAVE?

While exploring the woods near their bike trails, four soon-to-be eighth grade boys make an exciting discovery: a real cave! Of course they decide to explore it, and they make a pact to keep it as their very own secret.

But Steve breaks the pact in order to win the attention of the neighborhood girl that they all dream about: Gina Lawson. To their surprise, Gina wants in on their adventure. As the five of them explore further and deeper, they begin to realize that their cave is not simply a cave – but does the strange pocket of darknesss merely pose serious danger, or does true evil lurk within?

A 25,000 word horror novella mixing teenage exuberance with a touch of the macabre. (Contains adult themes and some adult language.)

It only costs $0.99!  For 25 THOUSAND words!  (maybe a few more, actually.)  Grab it today!

*****

My second free promotion results…

So my promotion ended yesterday.  It ended with a slight uptick on the downloaded copies of my two short story trios but it still was unimpressive.  Thank you to everyone who DID download the stories.  Hope you find something you like.  Even more, I hope you’ll maybe try something else I’ve written.  DIE 6 has some pretty good stories in it….I think…

So how did it compare to my first giveaway, where I promoted my titles SOLE OCCUPANT and DEAD OR ALIVE?  Well, that time I gave away 144 copies of the two titles.  The first of them did better.  I don’t think it’s surprising.  The cover for SOLE OCCUPANT was done by a professional, while the cover for DEAD OR ALIVE was done by…well, by me.

This time I gave away 71 copies in total.  Forty nine copies of JACK’O’LANTERN and 32 copies of THE GATEWAY were given away (by zombies…no, not really…by me).  Half the number of copies, though almost as many copies of JACK’O’LANTERN were given away as of DEAD OR ALIVE.  Anyway, why so few this time?  I have a few theories.

First, I did not have the opportunity to tag my giveaway with another giveaway.  In that case it was QUANTUM ZOO, with the giveaway promoted by all twelve authors (to some degree) and D.J. Gelner shared my status update, where I plugged both my own stories’ free status as well as that of QUANTUM ZOO.  This time, no shares from any authors.  (One offered but didn’t follow through, far as I could tell.)  I did have two friends share it with their own friends, and there is not much overlap between our groups of friends.  Anyway, when D.J. shared it on FB, my post views approached 300.  This time my post views were around 150 (maybe a bit more).  Half the page views, half the downloads.  Plus, people who were downloading QZ might have theoretically searched out works by the other authors in the collection and found a couple of mine on promotion, and grabbed them that way.  I’ll never know.

Second, these two covers are probably my worst covers.  I did them myself, and they were the first and second covers I ever did.  I’ll probably try to redo them sometime when I have the time.  But I don’t want to spend any actual money on them.  At $0.99 per download (which means $0.35 to me) it just does not make sense to spend the money on them.

It’s a shame, really.  I’ve had really good feedback on some of the stories.  Annetta Ribken once said of JACK’O’LANTERN (seen in a less edited form on the Friendly Fiction forum on Journalscape) that she could totally see it in a YA Halloween themed collection.  J. Michael Major listed AMERICA’S PASTIME (part of THE GATEWAY trio) as one of his favorites of the 14 DARK WINDOWS collection.  THE MOMENT also received good comments when I posted it on a blog a few years back.  And SARAH’S PUPPY won a contest on The Book and Candle Pub several years ago.  I think they’re decent stories.

Here’s Annetta’s quote (about JACK’O’LANTERN):

I can so see this in a YA Halloween anthology.
Cute and interesting premise. nicely done!

Author Eric Mayer (of the John the Lord Chamberlain mysteries) said this about THE MOMENT:

I enjoyed the story. From what I recall of eighth grade it seems true to life. Although I only wish I could’ve been bright enough to ever come up with a ruse like that. I’m surprised you could concoct this from six words not of your own choosing. Out of curiosity, do you recall what the words were?

I couldn’t, by the way.  I remembered “pirate” and “tommy gun” and “black cat” once I read it and looked for them.

And J. Michael Major’s Amazon review of 14 DARK WINDOWS:

It’s always fun to discover a new, talented author, and Scott Dyson is my latest find. The fourteen creepy tales here range from wistful and romantic (“The Moment” and “Ghost of Love”) to the horrific (“Hot Spot” and “The House at the Bend in the Road”). My personal favorites are “The Only Solution” and “America’s Pastime,” but all are wonderfully written and there is something here for everyone — just don’t read these hair-raising stories when you are alone at night! I look forward to reading more by Dyson. Buy a copy today and tell your friends about this exciting new author!

So there you have it. The results of the giveaway.

I had been debating whether to put ODD MAN OUT on promotion next month.  It’s my best cover, and I like both stories.  But I don’t know if it’s worth it.  Maybe I’ll just schedule it for a two day giveaway or something like that.

Better get something new written and published.  And soon.

Take care!  Thanks if you downloaded them.  Heck, thanks if you’re reading my blog!

*****

Free Promotion is here!

Started today, January 29th.  For five days only, ending February 2nd (Monday).

Two of my titles are free for Kindle on Amazon via KDP promotion.

Here are the links:

The Gateway Coverand

Jackolantern Cover

Please download them, read them, if you like them, consider leaving a review.  There are SIX (!!!) short stories contained in the two titles.  See the previous post for a description, or check out the Amazon book page for that same description.  They’re more or less flash fiction pieces.  The longest clocks in at something around 1800 words, if I recall correctly.

Thanks for grabbing them!

*****

Another KDP Select promo coming up…

I’m running a promotion on two of my titles, THE GATEWAY (with AMERICA’S PASTIME and HOT SPOT) and JACK’O’LANTERN (with THE MOMENT and SARAH’S PUPPY).  They will be free starting on Thursday January 29 for five days.  The promo ends on Monday, February 2.

The Gateway CoverAn imaginative boy discovers that the gateway for all evil has been opened, and his neighbor has been possessed! The fate of the whole world, or at least his neighborhood, is in his hands now. He must act to destroy the Gateway.

A 1500 word short tale of horror.

(Also found in the collection 14 Dark Windows.)

Contains two bonus stories:
America’s Pastime – a 1300 word short horror story, &
Hot Spot – a 700 word short horror story (dedicated to Dale Vincent Schwitalla)

Jackolantern CoverAs four young wanna-be Halloween vandals terrorize the far side of their neighborhood by smashing pumpkins, they encounter a jack’o’lantern that is by far the biggest and ugliest pumpkin they’ve seen this night. But this pumpkin is more than it appears.

A mild horror short story of about 1300 words.

*Also contains TWO bonus stories (NEITHER IS HORROR):
THE MOMENT (about 1500 words) and                                                                                                    SARAH’S PUPPY (about 1000 words)
And a short author’s note.

(These titles can also be found in the collection 14 Dark Windows.)

*****

Please feel free to download them, starting Thursday January 29.  Thank you!

*****

Price of books…

A while back, I purchased a book by F. Paul Wilson, whose Repairman Jack series is one of my favorites.  While the series is finished (at the end), Wilson decided to write three prequels detailing the early years of Jack in NYC.  The first of these three is called COLD CITY and it was priced, at the time, at something like $3.99 as an ebook, I think.  Maybe have been a dollar more or less, but I’m certain that it was below $5.00.

I read it, enjoyed it a lot, and went to check on what the next book, DARK CITY, costs as an ebook.  I was surprised to see that it costs $8.54 on Amazon.  More than my max for an ebook for my personal use (I sometimes go higher for books for my kids).  But what surprised me even more was that the cost of the paperback is $8.99.  In the dialect of Jack’s friend Abe, “I should care how the words get from Wilson’s imagination to my brain?”

Just so we’re clear.  I have a B&N membership.  I get it usually at Thanksgiving, and it costs me $25.00.  Over the year, I believe it pays for itself, buying books for myself (mostly bargain books off the remaindered shelf where I only save about $0.70 or $0.80 per book, but I buy 10 or 15 of them a year, maybe more) and buying books for my kids (also usually around a dollar savings).  With the card, however, you also get more coupons and better coupons.  For example, toward the end of the year I was routinely getting 20% coupons every week, and I even got two 30% coupons (one of which I didn’t use).  I’ll have to track it more carefully this year.  But I’m sure it paid for itself last year, since we bought a bunch of Dr. Who stuff for the kiddies as well.

At $8.99 price point, with 10% off for certain (via the card I already have) and perhaps another 15% off via a coupon which will probably come soon via email, the final cost of the book will be $8.09 plus tax at the most, and $6.88 at best, if I wait for a 15% coupon (which I certainly can do).  So let’s see.  I get a physical copy of the book, which I can resell or give to my buddy down the road, for $6.88 plus tax, or I buy an ebook which I can’t do anything else with after I’ve read it (except read it a second time, perhaps), for $8.54 (without tax today, but as soon as Amazon opens their facility in Illinois, then with state sales tax as well).

I think I’m going for the physical copy.  Not that I care.  If the ebook was less, maybe in the $5.99 range, I wouldn’t hesitate.  It would already be on my Kindle.  I’d probably be reading it now.

Whose bright idea are those prices, anyway?

*****

Kindle Giveaway (via KDP Select) – Success or Failure?

So the giveaway is over.  I put two of my titles, SOLE OCCUPANT and DEAD OR ALIVE, on free promotion from Wednesday 12/10/14 to Sunday 12/14/14.  How did they do, you ask?  Well, between the two of them, I gave away 144 copies of the two short stories.  I really didn’t know what to expect as far as numbers, but it was mentioned to me by SF/Thriller author Steven M. Moore that giveaways used to be measured in the thousands and now they’re measured in the hundreds.

I piggy-backed this giveaway on the concurrent giveaway of QUANTUM ZOO, hoping for a few shares of my posts promoting both giveaways on Facebook so that I would be exposed to other authors’ fans, but the only share I got was by D.J. Gelner, the editor of QUANTUM ZOO.  (Thanks DJ!)  It did help, because instead of around a hundred people seeing my posts, close to 300 saw the first post with the links in the comments.

SOLE OCCUPANT got more downloads than DEAD OR ALIVE did, in the US by 75 to 50.  It’s a much shorter title, with two stories adding up right around 3100 words, while DEAD OR ALIVE is a single story of about 7800 words, something like that.  DEAD OR ALIVE is part of a larger “trilogy” of vampire detective stories, which I hoped might work in its favor.  SOLE OCCUPANT has a cover made by professional Rich Siegle, while DEAD OR ALIVE features a home-made cover.  I don’t think it sucks, but no way is it as good as Rich’s cover.

My hope was that perhaps I might get a paid download or three of one of the collections.  I haven’t had a paid sale in a month.  My other goal was to get a review or three.  But so far, out of 144 titles given away, there are no additional reviews, either good or bad.  I don’t know if that means that most of the downloads haven’t actually been read, so I suppose there’s still some time.

A third goal was simply to get some of my work into the hands of readers, who may or may not like it, but I figured it was worth a shot.  Tastes vary, and out of 144 tries, you’d think that maybe I might get a new reader or three.

It’s sort of depressing.  A commenter, John Ellsworth (I think) on one of my other posts suggested that I focus on writing something longer.  I have longer pieces out there, nothing approaching 80K words (the length he suggested) but maybe closing in on 50K for a couple of them.  Nothing under 23K, I think.  Mostly horror, though one of them is a mystery.

It’s sort of one of those catch-22’s, in that I want this to be a self-supporting hobby.  I am willing to pay for covers and editing, but I want to see enough earnings to suggest that it’s worth it for me to do so.  I hoped to sell enough short stories to make enough money, even if it was just a hundred bucks a month, to pay for cover art for some of these longer projects.  But it’s been a no-go.

So what should I do?  Keep writing?  (I’ll do that anyway.)  Keep publishing?  (Not as certain about that one.)  I’m dismayed by the lack of reciprocal promotion I get from authors whose works I’ve promoted on my FB page and here on the blog.  Not even a “Like” from any besides D.J. and J. Michael Major, who has also reviewed a few of my stories on Amazon.

That’s okay.  I have to admit, however, that it makes me less enthusiastic about supporting (via promotion on either here or on my FB page) other indie authors.  I’ll still support the ones I like to read by buying their books, and possibly reviewing them if the mood strikes me.

Maybe this giveaway experiment will result in sales down the road.  Maybe it will result in a few reviews, positive or negative.  But right now, I have to come down on the side of “failure” when asking myself if it was a success or failure.

*****

 

Sales report

All I can really say is, it’s a good thing I’m a dentist!  Haven’t sold a book or had a short story bought since October 23rd.

I counted, and I have eleven titles out there.  They range in length from the very short (14 pages) SOLE OCCUPANT, which is in Kindle Select and KU, and costs $0.99, to my six-story collection DIE 6, which has 123 pages and is priced at $2.99.  Also there is THE STRIKER FILES 3-in-1 COLLECTION, 93 pages also priced at $2.99, and my non-fiction title (under my real name) DOING DISNEY, which is again priced at $2.99 and contains 101 pages of information about visiting the Florida resorts.  14 DARK WINDOWS is a fourteen-story collection of short “flash” fiction, 63 pages, and is once again priced at $2.99.

What could I do?  Perhaps a full collection of ALL of my short stories, would come in at something around 250 pages (maybe a bit more), and price it at $4.99?  I have five stories in the very early stages of readiness for publication, all need rewriting and editing, but none are ready to go tomorrow.

Anyway, I know I don’t do much to promote the stories.  The only people who have bought them are people who know me through Facebook, for the most part, or knew me from my days at Delphi Internet Service when I helped run the Book and Candle Pub.  I submitted a story to the anthology QUANTUM ZOO with low expectations, but it was one of the twelve that was selected for inclusion, and I’d hoped that perhaps someone would read my story there and decide to check out at least one or two of my other stories, but the problem is that very few of the stories I’ve written and published would excite the QUANTUM ZOO target audience.  So perhaps my efforts for that collection are wasted.

Who knows?  For me, a good story is a good story.  I’ve bought several of my co-authors’ stories but I don’t know if it is working in reverse.  Oh well.  I don’t really NEED the income.  I can just keep writing, and when they’re ready, publishing, and if they catch on, great.  If not, so be it.

As the saying goes, it was worth a try.

*****

KDP Select and KU

I have never placed any of my works in either of these programs up until now.  But as of today, all of my short stories are enrolled in both of them for the next 90 days.  This means that Amazon Prime members can download any of my short stories as their “borrows” for a particular month, and Kindle Unlimited subscribers can borrow my stories and read them as part of their monthly subscription fee.

The stories are as follows:

  • Sole Occupant (and The Only Solution)
  • Odd Man Out (and The House at the Bend in the Road)
  • Jack’o’lantern (and The Moment and Sarah’s Puppy)
  • The Gateway (and America’s Pastime and Hot Spot)
  • Dead or Alive
  • Night Family
  • Rick’s Rules

If you have either of those services, and want to give my short stories a try, well, here’s your chance to do so for free.  I will take advantage of KDP Select’s program where I can make my short stories free for a couple of days and will post here and on FB when I do so.  Thanks!

*****