Monthly Archives: October 2015

JACK’O’LANTERN (and THE MOMENT and SARAH’S PUPPY) free on 10/29!

In honor of Halloween, I’ve made my short story trio containing JACK’O’LANTERN, THE MOMENT and SARAH’S PUPPY free for five days, starting Thursday, 10/29/15, till Monday, 11/2/15.  It’s been free before, but this time it contains sample chapters from my novellas THE INN and THE CAVE.

Jackolantern updated cover

All three stories are also found in the collection 14 DARK WINDOWS, which is priced at only $0.99 and will continue to be priced there for the foreseeable future.

Grab it while it’s free! If you like it, grab something else as well! Thanks for reading!

*****

About THE INN…

My book THE INN now has 4 reviews (three of which have text), all 5-star ratings.  J. Michael Major, author of ONE MAN’S CASTLE, had this to say about it:

Talk about the band trip from hell! Young and beautiful student teacher Kimberly Bouton rides along with the high school band from Minnesota to Alabama. But one of the stops along the way is an inn where creepy things have started to occur. Miss Bouton and other band members wake up sore and with headaches. Is someone at the inn abusing the women in their sleep? Dyson cleverly weaves a great tale with events in the news that quickly escalate out of control. Filled with twists and turns, you won’t want to put this one down!

(Check out his book, for a good serial killer book that focuses on some interesting issues!)

Another reader identified as “Anne” posted this about the book:

Really enjoyed this short but scary read. Extremely well-written — and difficult to put down. The characters were compelling, and the suspense was thrilling. A perfect story for a night by the fire.

It was nice to hear that a reader thought it was extremely well-written. I try…

And finally, Steven M. Moore, author of too many books to count, including his latest, FAMILY AFFAIRS, wrote this about it on his blog:

Scott Dyson, author (Deadlock Press, 2015).  Is this the longest story I’ve read by Mr. Dyson?  It’s a novella, and there’s a lot of horror, mystery, suspense, and thrills in these few pages.  I loved it, and It’s not a genre I often read (the horror part).  No zombies, vampires, or werewolves (thank God!), just one seemingly ordinary human being doing horrible things to other human beings.  Some scenes reminded me of Hayton’s novel Breathe and Release reviewed here and that real life atrocity with the three girls in Ohio.

The band director, his student teacher (a woman not much older than the students), and the band are on a road trip.  They plan to perform and then spend a day at a nearby amusement park, crashing two nights in the inn.  I can’t say much more without writing spoilers, but I will send out a warning: if you were a member of a high school band, any nostalgia might fly out the window as your read this.  Or, some readers might say, “This is a lot more exciting than our band trips were.”  Mr. Dyson’s writing is fresh and original.  Fans of the genre will enjoy this one. (Rating?  How would you rate the TV show Dexter?)

So there are three very positive reviews of THE INN.  Thanks to those reviewers for taking the time to read and review it!

Here’s another from Mit Sandru, author of the VLAD vampire series and TIME HOLE, among others:

This is another fine novel written by Scott Dyson. While reading I had to remind myself that I wasn’t reading a Stephen King or Dean Koontz horror novel, but and equally well written book by Scott.

I love it! I’ve been compared to King and Koontz! Two of the best ever, in my opinion!

I thought I’d toss some stuff up here about the background of writing THE INN.  I flew through it; the story seemed to write itself.  I went back and added in the material about St. Louis and the store where my main character purchases the flute pendant after the first draft was completed.  I tried to give a little more depth to the parent-chaperones, who were barely mentioned in the first draft.  And I fleshed out a few of the students a bit more in the narrative, making them more than just names that passed by in the story.

The idea to write it came after I finished a book called TEXT MESSAGE by William Malmborg.  In that book, Malmborg describes a college student who loses her younger sister at the mall, and then begins receiving text messages from her sister’s phone telling her to do embarrassing things (mostly of a sexual nature) or bad things will happen to the sister.  When the girl refuses, the bad guy (girl?) texts a photo of the sister with a finger cut off.  So the girl follows instructions to the letter, and…well, it goes on from there.

I thought, after reading it, that I could probably write something similar, and started thinking about storylines.  I thought of a motel or an inn (instead of a school or a mall) where bad things happen, and then I flashed back to a recurring concern I have when I’m in a motel room — that somehow they have surveillance cameras in the rooms.  I mean, how would you know unless you start tearing the room apart?

It so happened that band trips came to mind, and I combined the two things — a band trip to a motel with something of that nature in some of the rooms.  I recalled certain things about my own band trips as a high school student, and about more current band trips and how they are organized, and out came the story.

It ended up being something around 37,000 words, give or take.  After about six months of polishing, getting input from my beta reader, and repolishing, I finally came up with an idea for the cover.  I searched out images that would fit what I was picturing, and I think what I came up with is pretty close to my original idea.

It hasn’t sold well…two copies in October and eleven copies in September, at least at Amazon.com (not sure about the other Amazons in the UK or other countries), but it’s been getting some KU page reads — over a thousand last month and over five hundred so far this month.  My shorter novella THE CAVE (about 25,000 words) has been read in KU a few times as well, although it has only sold one copy in two months.

So that’s the long story behind THE INN.  I’m currently working on a long version of ODD MAN OUT, and am polishing a couple of other things that are done.

Looking forward to getting some more things out.  Till then, try one of my other books!  They’re still all only $0.99, which is a huge bargain.  (THE INN is going to go up to $1.99 soon…)

Oh, and do yourself a service and read FAMILY AFFAIRS, TIME HOLE, and ONE MAN’S CASTLE.  All three are excellent books!

*****

 

A weekend of writing, playing and Cubs!

I tend to write this blog as conversationally as I can — like I’m talking to a friend.  So even though I’m probably not talking to too many people (I really don’t know how many visitors I get because I’ve never set up that JetPack thing) I figured I’ll continue in this style and drop a quick note about my weekend.

Every year a group of friends heads up to northern Wisconsin for a weekend of playing music and enjoying the water (if it’s warm) and the colors (if it’s late enough and conditions are favorable) and eating and drinking and just relaxing.  This past weekend was that weekend, and I went up there for the first time in about 4 years.  Besides playing (I do keyboards, guitar and a bit of drums) I took some time to write.  Sometimes I even got in a couple of hours of writing in the day.

I got in enough writing that I actually finished a YA/MG novel I started with my son a long time ago.  As I reread, I note places that need to be filled in, but I haven’t even started with that.  I’m just trying to get a sense of whether the story holds together.

It’s interesting that two of the projects I’ve finished are two of my longest projects and both started in my son’s imagination — not in my own imagination.  I honestly think that his imagination is a lot better than mine.  Whenever I hit a snag, I’d ask him where it was going.  He’d sometimes come up with something so out-there and off-course that I’d veto it.  But usually he’d give me a sense of what he saw happening and it would work.  He’ll be getting co-writing credits on both of these, though, due to the nature of some of my horror, I may use a different name for this stuff.  It’s a complete departure from the horror I write.  Not sure I want any overlap on readership.  I won’t keep either a secret.  The pen-name will have a menu header up at the top, I think, and I’ll post something every time I add a page to it, but I’ll try to keep them as separate as I can.

Oh, and we watched a Cubs loss and a Cubs victory over the St. Louis Cardinals.  After two more victories at home, we’ve vanquished the Cards and we’re in the NLCS for the first time since 2003, and that was the first time in history that we’d been in that position.  Can’t wait to see if Back To The Future 2 was accurate in its prediction!

*****

“Bob said,” versus “said Bob.”

I’m wondering if readers even notice this.  I know that I didn’t until it was pointed out to me in the editing phase of my story “Playing Man” (which was published in QUANTUM ZOO).  I was informed by D.J. Gelner, my editor (who did an outstanding job, by the way) that the convention was to place the dialog tag at the end of the sentence, and it should be “Bob said,” instead of “said Bob.”  For example:

“I really want to try playing that Beatles song,” Rich said.

“Which one?  There are a million of them!” Peter said.

“Let’s do them all,” Carter suggested.

Is that qualitatively better than the alternative:

“I really want to try playing that Beatles song,” said Rich.

“Which one?  There are a million of them!” said Peter.

“Let’s do them all,” suggested Carter.

To me, they both read the same.  I read the tag and it vaguely registers as an identification of the speaker.  After being informed of the accepted (or proper?) way to write it, I started noticing, and while most fiction, especially indie fiction, does it the “right” way, Orson Scott Card’s book RUINS mixed them up indiscriminately.  And so do I, in most of my fiction.  As I read my short stories and longer works, I find both forms used, with no rhyme or reason to the usage except for the rhythm of the words in my head.

In other words, if it sounded right one way, I wrote it that way.  And vice versa.

I don’t know if it is “wrong” to do it that way, so I’ve been trying to make everything conform to D.J.’s rules.  But if I miss one, forgive me.

*****